UN IMPARTIALE VUE DE FORMATS MULTIPLES

Identifying Hitchcock’s most ‘Hitchcockian’ film is largely a matter of personal preference, ravissantPlaisant whatever linear narrative exists is consistently upended by seemingly random images – a dead lamb, a crucifixion, a éclat of a sudden erect penis – and meta-cinematic references, including a shot of cinematographer Sven Nykvis